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Mosaic Art

The Judgement of Paris, floor mosaic of Antioch , the first century, the Louvre.

The mosaic is a decorative art that use fragments of stone, of enamel , of glass or of ceramic , assembled using putty or plaster, to form patterns or figures. Whatever the material used, these pieces are called tesserae.

Widely used during the ancient Roman mosaic continued to be used throughout the Middle Ages , especially among Byzantines , successors of the Romans ( Basilica of San Vitale in Ravenna ), and the Renaissance. After having virtually disappeared for several centuries, this art has returned to light with the movement Art Nouveau. Today the mosaic is used both by artists of the movement Op art such as Carlos Cruz-Diez , Vasarely History

The mosaic was widely used during antiquity for the interior decoration of houses and temples. It is associated particularly well-preserved Roman sites such as Pompeii or Herculaneum. However, the mosaic has continued to be used throughout the Middle Ages , especially among the Byzantines , successors of the Romans ( Basilica of San Vitale in Ravenna ), and the Renaissance. Thus, many pictorial representations on the walls of St. Peter are performed using this technique.

Former method, the mosaic is still used today especially for the decoration of churches. Thus, the ceiling of the apse of the Basilica of the Sacred Heart of Montmartre was awarded the largest mosaic in the world, covering an area of 475 square meters. Designed by Luc-Olivier Merson and perform 1900 to 1922 by the workshops Guilbert-Martin, it is the Sacred Heart of Jesus glorified by the Catholic Church and France. Between 1933 and 1941 , the painter Henri Pinta carries a large mosaic of 120 square meters, decorating the choir of the Basilica of the Sacred Heart of Marseille.

Technique

The tesserae

Quadriga , about this gym mosaic of the Villa del Casale, Sicily, III - IV century.

There are several types of materials, which allow different effects and each have their advantages.

  • rollers
  • the molten glass: transparency effect, bright colors
  • stoneware tiles: easy cut and resistant to extreme cold
  • the enamel Briare : very durable and colorful but more difficult to cut
  • glazed ceramics: large color range, but poor preservation
  • marble: many colors, high strength, but it is a very heavy material
  • Gold and silver: inserting a sheet of gold or silver in a glass tessera, the sheet is protected and therefore gives a shiny effect

In Byzantium, use enamels for glass murals. The intensity of color is remarkable, but this material is expensive and is very fragile.

Cutting

Generally used for cutting tiles or the hammer, two types of special pliers called respectively clips Japanese, who have the distinction of not joining their end, and clamps in Mollet. Both types of clips are often being strengthened in their end of tungsten carbide ... etc..

Supports

Support the most common is the mortar (cement and sand) due to its low cost and its adaptation to different environments. We put a screen on the wall, then a layer of mortar of at least 13mm thick, which protects the mosaic of cracks.

One can also find other materials such as wood (it is rendered waterproof with a chemical treatment, or immersing it in boiling oil), glass, wood fibers pressed and glued (present day), or plywood (contemporary) ...

Adhesives

They are many. The most used is probably the mortar applied on all surfaces, it can add lime to slow the setting time.

Adhesives are also used cement, which are designed according to the media, with different setting times. The use of two types of white glue (regular and water soluble) is also common. Finally, in modern times, we see the use of silicone adhesive.

The assembly

  • the direct method: the simplest and fastest of the three methods. After conducting a charcoal drawing on the support, applying a thin layer of glue on the areas to work. There is first the larger tiles, then inserting the smaller, and this provision is from outside to inside. Then apply a layer of cement (to make the joints between the tiles) that are cleaned after drying.
  • the indirect method: the tiles are glued upside down on a temporary support, to obtain a flat surface. Then glue it all on the final support, and we remove the temporary bottom. The temporary support called for in the books introduction to the mosaic is very often the kraft paper. However, this type of paper is sometimes sensitive to water-soluble glue and gondola. The tiles located on the bumps will make its way into the hollow when will the back and glued together on the final support. The polyester fabric leaking, being totally insensitive to the water-soluble glue, yields results close to flatness. Moreover, his detachment is facilitated by the fact that the water contained in the joint or cement glue tempera-soluble glue spread over the veil.

Famous Mosaics

There are two capitals of the mosaic in the world (exhibitions, restoration, education):

Mosaic Djemila ( Algeria ).
  • Spain
    • Modern mosaics
    • Roman mosaics
      • The house of the amphitheater in Merida
      • The National Archaeological Museum of Tarragona Roman city for 682 years.
  • United States
    • Mosaic art deco
      • The entrance to the hotel Waldorf Astoria includes mosaic tiles 150 000 "The Wheel of Life" created in 1931 by French artist Louis Rigal.
      • Under the initiative Arts for Transit subway stations New York are filled with Art Deco mosaics.
  • In Cyprus
    • Roman mosaics
      • mosaics of Dionysos in Paphos.
    • Byzantine mosaic
      • church near Kiti Larnaca (Virgin between two angels, one of the few pre-Christian mosaics iconoclastic remaining in the East).
    • Modern mosaics
Mosaic of the Battle of Issus , House of the Faun in Pompeii , around the second century BC. BC, National Archaeological Museum of Naples.
Virgil Mosaic in the Bardo National Museum , in Tunisia.

References

  1. Mosaic Contemporary p.63

Bibliography

  • History of Provence by Andre Girod mosaics in the gardens of Magali, Lauris
  • Marc Gaillard, contemporary mosaic, Massin, Paris, 2007 (ISBN 9-782707205476)


Mosaic Metaphor in Science

The term "mosaic" is often used in a metaphorical sense, especially in science and biology. : Genes (see Mosaic (genetics) , virus of tobacco mosaic (see mosaic (plant pathology) , mosaic membrane, chimera ... George Chapouthier proposed the concept of tiles to define the complexity of living beings, since at each stage of living (cell, organism, population ....), as in a mosaic in the artistic sense, the "whole", leaves a large autonomy to its parts, which act somewhat like tiles.

See also

Chronology of the mosaic

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